So, everyone’s looking at their phones, but …?

So, everyone’s looking at their phones, but …?



Sent in anonymously, with the suggestion that the last balloon coulda/shoulda been printed on a single line.

A blatant case of obnoxious literalism


What actual painting is this scene based on?
I think it’s a famous one I can’t bring to mind.
But I can’t help thinking of Poussin’s A Dance to the Music of Time (banner to this post), which in turn I’m aware of mostly from its use in Anthony Powell’s A Dance to the Music of Time.
The Poussin has four figures (they could be the Seasons, or in Powell’s treatment the Kindly Ones, i.e. Furies), facing outward; while this scene has five, facing inward. The Poussin dates from 1634-1636, while this other scene with its contorted nudes surely is showing an influence of Impressionism or later.
Later: okay, I have been informed. It’s La Danse by Henri Matisse with versions from 1909 and 1910.


Happy Halloween — a good excuse to post some monster-themed cartoons. Here’s a couple that might fit into a Halloween-themed library.



This man isn’t worried that he’s out of candy, because he’s planned ahead.

If there is something left, it might not be the good stuff.

One measure of how influential Peanuts was is how familiar the Great Pumpkin is to us all.

First mention of the Great Pumpkin, October 26, 1959. You can follow this arc at https://www.gocomics.com/peanuts/1959/10/26


So, Monty Python’s science was right!


Andréa sends in this synchronicity. Cartoonists are always looking for a new angle, but sometimes push it too far.


Finally, like that house at the end of the night that gives out multiple candy bars so they won’t eat them all themselves, there’s this bonanza from John Atkinson — some cartoonists would have spread these out one at a time, and gotten a whole month out of this idea.


The LOL-Yikes (horror) that you were promised, with a dollop of fourth-wall.



And haven’t we been seeing a lot of the Potato Head family of late?
I’m delighted with how the Bizarro literalizes the idea of the fourth wall.
So then the problem-solvers’ question is “what are we seeing on the left side of the drawing?” And the answer should be “The adhesive side of the wallpaper”.
The contributor sending in the Macanudo points out that it’s a very old joke (probably could be found in Mutt & Jeff :) ), but this is still a very good realization of the idea.
And they pair well because the Macanudo is at the other end of sticking to the metaphorical.


P.S. Wayno prepares two versions of each Bizarro he makes, a squarish panel and a more horizontal strip format. Occasionally in his weekly blog he shows the variation, and in the week covering this cartoon it was the one getting that treatment. Here is that alternate image:

Thanks for this Macanudo to Kilby, who says ‘The moon doesn’t look “happy” to see friends drop by, the eyebrows and wrinkles make it look distinctly “worried”.’

Also he gives a reference example of a smiling full Luna — though not the classic comics one he wanted to locate.

Some recent Macanudos. They’re all pretty striking, but in different ways, and generally neither straightforwardly funny (“in the classic sense”) nor definitely an outright CIDU. The tube-sculpture set as the featured image (above the post title) is a consummate meta. Others fit the “funny just for the absurdity of picturing it” tag. The one with Martin and the Olgas is kinda terrifying.
Enjoy!






(In case the Featured Image feature didn’t work for your platform, repeated at the end.)
Two Andertoons for the price of one.






Well that’s getting down to the point!






Nice to see the secondary characters getting featured on their own.



Here’s that “LOL-Yikes! (horror)” you saw category-tagged and wondered about.
Actually I think this is making a pretty deep point about the relativity of relativity.
