





Jan’s dating adventure continues. This seems to use a pun on an unspoken characterization.





And it is rather cute to think about how the cymbals can be incorporated into a password. Probably no more annoying than when the form has no way of communicating the legal symbols it will accept to your secure-random-password generator.







I really like treating “erudite” as the name of a mineral. But don’t care for the supposed punch line here that was used to get that across and try to pun on the standard meaning.








Boise Ed recommends Doc Rat, and this Oy from the October 1 front page at Docrat.com.au was more available than others.



And indeed Brevity is generally going to yield up some species of OY, as here:






Arrgh, they just missed the chance to pun it off against serialism, the academic successor to atonal or twelve-tone music as a body of theory and compositional practice. To boot, cerealism and serialism are pronounced identically, while surrealism is distinguishable! Well OY to that, or indeed ARRRGH!

This time the squirrel does have something to say — and he’s clearly wrong.





Here’s an Oy-Ewww. Wait, do I know the actual etymology? And how’s about “steak tartare”?



Sent in by Barbara – thanks!









Hopefully a step above demonstrative-gestural lip syncing, the illustrated song comic can combine the best features of geezer nostalgia, punning, and comic drawing. A nice touch here is that Rubin combines the song’s key line that everyone remembers with its somewhat less-familiar title.

Bonus! On Twitter they provide a bit of animation with another line from the song. Actually, one in the tweet text, and another as an animated header – it may be lost to the crop here. But try clicking *once* on the “play” icon and it may show properly.
Pearls Before Swine is so often in service of a pun that we may stop noticing when it pulls off a pretty good one!


Here’s a bit of a CIDU-OY.






Premiere: 9/11/2021 | 00:00:30 |
Honor the 20th anniversary of the September 11 attacks with this special performance hosted by Misty Copeland and led by Met Music Director Yannick Nézet-Séguin featuring soloists Ailyn Pérez, Michelle DeYoung, Matthew Polenzani and Eric Owens.
This is not really a solid Oy, not really very funny, but somehow it’s just … just … just *something*.






The legacy of “Who’s on first?” is an apparently inexhaustible vein of humor!


Here’s a chuckle-OY from Philip:


Here’s one done by Jenny:
