After the Dog Days of August, shouldn’t we have the Cat Days of September? Yes, this is an entirely made-up term, but it’s an excuse to post a few cat-related cartoons and see some of the various ways cats are portrayed in comics. Here’s a couple of Business Cats from LarK:
Garfield is possibly the most popular cartoon cat, so here’s one that may be a bit more timely than most, since ketchup’s been in the news lately.
This Get Fuzzy almost deserves a geezer tag, since soccer is now much more popular in the U.S. than it was a few decades ago and most of us can appreciate the action (or, at least, the theatrics of players barely touched pretending they are severely wounded).
A+? Who cares!
But at the other extreme we have the lively and intrusive cuties of Breaking Cat News:
No tour of various ways cats make their way into comics would be complete without one from B. Kliban.
That’s 8; we’ll leave our cartoon cats with one of their 9 lives left.
This CIDU is easier to figure out if you’re a cat owner. It provides an excuse to note that Comics Kingdom started Bob Mankoff Presents: Show Me the Funny (Animal Edition), which may be of interest. Since stepping down as cartoon editor at the New Yorker, he’s been running CartoonStock, which is a business that licenses cartoons.
In the lane of “I guess I get the intended joke point, but the execution is unsuccessful” we have this “powdery math” example from zbicyclist. “I’m lost here. He’s eating one donut, and has another on his plate. That’s two donuts. So how is it 50% less sugar than two donuts?” I guess the *one* donut Leroy is waving around does have 50% less sugar than the two he has altogether, since it’s 50% less donut.
I thought at first it was going to be the funnish kind of percentage mistake coming from inconsistent base. We’re going to increase your supply of widgets by 10%. But now you have too many, so we’ll reduce your supply by 10%. That should put you back where you started …. eh?
The main-punch of this charming joke is clear enough — curiosity may be fatal to cats (as in the common saying) but not to these patients. But what is it that the vet has diagnosed as a case of curiosity? And is it supposed to be clear why he speaks in the singular, and which one of the dogs is the patient?
I dunno, maybe the problem is that the top section looks like a “throwaway panel” but actually it’s essential that it appear right above the scene with the cars. Because it’s the upper-storey window and sign for the gym? But we still have to pin down the connection between weight-lifting and how that extra car got where it is.
If your thing is to visually or linguistically play off some familiar phrase or saying that almost everybody surely knows …. there’s going to be trouble when you use some that nobody knows. (All right, I know about “disruptor”. But that’s about it.)
Okay, let the anatomists explain from the configuration of fingers (and additional hand in panel 2) that the hand doing the artwork in panels 2 and 3 has to be Nancy’s. Even so, what does it get her? And if it could possibly be Fritzi’s own, does that mean her panel 1 nag about “the expression on my face” was just a fancy prank setup?