I did literally LOL! But filing it with the OYs for the word play.
Okay, the oldest phonetic exchange on the books; but they do something new with it.
Now the rainman gave me two cures
Then he said, “Jump right in”
The one was Texas medicine
The other was just railroad gin
An’ like a fool I mixed them
An’ it strangled up my mind
An’ now people just get uglier
An’ I have no sense of time
Writing prompt: That’s a *winch*. Why is that a better pun than a *wrench* would have been?
Thanks to Ken Berkun for sending this one in. Also sent by Usual John, who ventures to explain the use of “Happy Birthday”: I just realized it’s to measure the 20 seconds to wash one’s hands properly.
In the lane of “I guess I get the intended joke point, but the execution is unsuccessful” we have this “powdery math” example from zbicyclist. “I’m lost here. He’s eating one donut, and has another on his plate. That’s two donuts. So how is it 50% less sugar than two donuts?” I guess the *one* donut Leroy is waving around does have 50% less sugar than the two he has altogether, since it’s 50% less donut.
I thought at first it was going to be the funnish kind of percentage mistake coming from inconsistent base. We’re going to increase your supply of widgets by 10%. But now you have too many, so we’ll reduce your supply by 10%. That should put you back where you started …. eh?
Why even begin to use the Jeopardy setup? Then not use their layout? And if we grant that eating triple bacon cheeseburgers presents a risk to a heart, does that require that answering a question about them also does?
The main-punch of this charming joke is clear enough — curiosity may be fatal to cats (as in the common saying) but not to these patients. But what is it that the vet has diagnosed as a case of curiosity? And is it supposed to be clear why he speaks in the singular, and which one of the dogs is the patient?
I dunno, maybe the problem is that the top section looks like a “throwaway panel” but actually it’s essential that it appear right above the scene with the cars. Because it’s the upper-storey window and sign for the gym? But we still have to pin down the connection between weight-lifting and how that extra car got where it is.
If your thing is to visually or linguistically play off some familiar phrase or saying that almost everybody surely knows …. there’s going to be trouble when you use some that nobody knows. (All right, I know about “disruptor”. But that’s about it.)
Okay, let the anatomists explain from the configuration of fingers (and additional hand in panel 2) that the hand doing the artwork in panels 2 and 3 has to be Nancy’s. Even so, what does it get her? And if it could possibly be Fritzi’s own, does that mean her panel 1 nag about “the expression on my face” was just a fancy prank setup?
Since we previously dropped in on “Arlo and Janis, The College Years”, here is the current chapter.
The CIDU matter is, What-all is going on in panel 3? The red must come from the Mickey phone, and by panel 4 we see it has been swept to the floor on the other side. But the panel 3 scene doesn’t simply show the phone partway through its flying path — there are lots of twist indicators or something.
“Here’s an apocryphal story that I figure prominently in.”A CIDUer received this in some email without source info, and passed it along. The artist seems to be Mike Gruhn, who posts cartoons to Instagram and here-and-there; and has his own site, called WebDonuts. He had a feature called Caption Challenge or Caption Contest, which seems to end in 2015. A note on the WebDonuts site from 2019 indicates that Instagram would be the place to look for his current material.
The mirror is sketched oddly and had me thinking for a second it was a cleaver! But thankfully, no!
CIDU Bill had saved this one to an unused draft dated 2019/08/17 and called “Strange Family”, as a CIDU:
Thanks much to chemgal, who has done all of the work of writing up the background and the CIDU question:
I really don’t get the April 7th Arlo & Janis, though it is in the middle of a series, so maybe tomorrow’s comic will explain it. For those who don’t read A&J regularly, the set-up to this point is that we’re seeing a flashback to when A&J met while she was taking art and he was working at the bookstore, and in the previous couple of comics, Janis slowed things down:
So my question is, what does “college town” have to do with anything here?
And an auxiliary question from me: Who else thinks Arlo’s moustache is the most annoying thing ever?