Thanks to Dirk the Daring for sending this in, and asking “Why is this funny?”. Your editors could only reply, “Forget it, Dirk. It’s The New Yorker.”

Thanks to Dirk the Daring for sending this in, and asking “Why is this funny?”. Your editors could only reply, “Forget it, Dirk. It’s The New Yorker.”


I remember my many years with window A.C. units, and remember the fall struggles to get them out (easier, though, than the spring struggles to get them in). But is there a joke here? None of the family members ever found my request for help with this task funny.
Could this also be a geezer alert? I think current units are better conditioned for winter, so they are commonly left in all year. But maybe I’m wrong about that.
Kenneth Berkun sends in this puzzler from the New Yorker.
The joke would be simpler to understand if we had the inbox with yarn and the outbox with garments with a knitting grandmother in the middle. Then the joke would be that the knitter was treating her hobby as if she was (still) in an office.
So, the CIDU question would be why put it in a business office context? Why does the businessman have that deer-in-the-headlights look? Why, if he has the status to get a window office with such a nice view of the skyline, does he have so many pens, and why are they in his suitcoat? Or, are these details just because Roz Chast probably hasn’t spent much time in a business office (lucky her)?
And should the presence of the inbox and outbox pair be a geezer alert? I don’t think I had an outbox since the mid-1990s, and my physical inbox didn’t have much in it.

Previously (in https://cidu.info/2022/05/16/never-wear-around-your-neck-anything-that-comes-out-of-your-tail-end/ ) we explored the precedence of flutter-by before butterfly — to the surprise of many, including me.
Recently Andréa noticed: “BTW – I don’t know if it’s because of Monarch Butterfly Migration Season, or what, but have YOU noticed a plethora of caterpillar-to-butterfly jokes? I think I’ve seen 15-20 in the past week.”
Then almost immediately after seeing her mail, I ran across this from David Borchart in “Bob Mankoff presents: show me the funny (animal edition)” at Comics Kingdom:

Nonetheless, no reason not to share their accomplishments with the CIDU crowd!















Stan says he has no idea about this one from the latest New Yorker:

Hey, don’t you like how the tabletop-speakerphone shape is echoed by the trees out the window?
This entry was originally posted on 2020-Nov-13. We were reminded of it when reading Tom Falco’s newsletter today (corresponding to this post on his Tomversation blog), which reprints this panel along with pictures and commentary on his recent New York visit.

Tomversation sent in by Ollie. As a CIDU? Didn’t say! Is the joke like those set at modern art galleries, where a frame surrounds a stain on the wall, here turned into a window mistaken for an art object? Or is it just a fond reminder that one can tire of any quality of indoor view and welcome a glance out a window? [2022 comment: Falco’s title “The grass is always greener” would seem to fit better with that latter view.]
Next mystery: Is it meant to be somewhat realistic? So these would be a collection of posters on paper, mounted on somebody’s wall? No? An actual touring exhibition of masterpieces unlikely to be loaned out and then exhibited together? Nah.
Does it remind you of one of those paintings that show other paintings, maybe in a gallery setting? Like this one by Samuel F. B. Morse:

[2022 comment: The Picasso has been identified by commenter Olivier: “BTW, the Picasso is ‘portrait de femme au béret orange et col de fourrure (Marie-Thérèse)’, 1937.”]
And now, for something not quite completely different! Still in the realm of fine arts and popular suspicion, this OY from Cornered, sent by Olivier.

Wrong Hands can be cynical without being mean:

Oh, how those New Yorkers love themselves some art:

And The Far Side on “The Art of Conversation”. Sorry, just a link, not a copy.
https://www.thefarside.com/2020/10/30/2
And just be hush-hush about this, okay? —

A CIDU from Ken Berkun, who saw this at The New Yorker. Can we identify the ways Harry Bliss cartoons for the magazine differently from how he cartoons for his newsletter and GoComics and associated outlets?
