Unbeatable comics!

Boise Ed submitted the French comic “Imbattable” (literally: “unbeatable”), which was suggested to him by a friend, adding: “My French isn’t totally up to this, but … Pascal Jousselin … does some great work with fourth-wall shattering“. Ed intended this strip as a CIHS, but I was astonished to discover that a translated version of “Mister Invincible” had already appeared at CIDU back in August 2021.

March 20th is French Language Day, which seemed an appropriate occasion for these strips to appear in the original version.


The second example is just the first of ten “unbeatable” pages that appeared in an April 2017 review of the first album collection “Justice et légumes frais” (literally: “Justice and Fresh Vegetables”).


P.S. Try the link if you want to read the other nine pages in the review.


Sometimes “translation” means moving to a different place

Here are two more instances of creative translation in “Macanudo”.


The Spanish dialog means: “I wish the leaves had eyes.” – “Ha ha ha! The things you say!

In both cases the gag is a simple (auditory) pun: in English twofold on “leave(s)” (noun/verb); in Spanish threefold on “ojalá“=”wish”, “hojas“=”leaves”, and “ojos“=”eyes” (one verb and two nouns; all three words sound very similar).


In this second case the difference between the two language versions is more extreme:


In Spanish: “Do you like it when I call you a lunatic?” – “Yup.

Perhaps the translator did not trust English-speaking readers to recognize the “lunar” etymology of “lunatic”, or maybe she simply loved the song lyrics more.


P.S. Several months ago I looked up the meaning of the name “macanudo“, discovering that it meant “a person or thing considered admirable or excellent because of its positive qualities“. Besides being an eminently appropriate name for the comic strip, this also explains why it is the name of a cigar brand. I was in Copenhagen (on vacation) just a few days before I created this post, and just happened to run into this shop:


Saturday Morning OYs – August 03rd, 2024



I had been familiar with the Çedille Records label out of Chicago for quite some time before noticing that one reason for the name is that it would be pronounced much like “CD”.





They both work!

As we have asked before with Baldo, does the joke depend on language, and does it work in both the Spanish and the English versions of the strip?

Here there are two loci for our standard questions: In panel 2, the dialog from the second character (who I think must be Jake); and in panel 4, the second part of the dialog from the speaking character.

My take on those two, in short summary: The panel 2 pun works fine in English, and the Spanish also has something of a pun, by substituting a different statement instead of a translation. In panel 4, in the Spanish there seems to be an amusing equivocation, by virtue of a grammatical ambiguity; which does not carry over into English.

In some detail:

In the English, notice the emphasis given in the lettering to the word TIRED. And while Jake says that, he is all over a stack of TIRES; even seemingly pointing to them as though in a sort of illustration.

In the Spanish, Jake’s line translates according to Google as “Oh, so you roll out of here early?” (and I think the “you” is not the only choice — it’s more of an impersonal, and might amount to “we”). So it no longer mentions tires or tiredness, but with the mention of rolling still manages to indirectly bring in the tires and roughly complete a pun. (And as a noun instead of verb, rueda is rendered first off as wheel.)

OK, a bit of background. English (like, say, French) in simple sentences, in at least semi-formal speech or writing, requires an overt subject, even if a person and number could be inferred. Spanish (like many other European languages) allows skipping a subject pronoun if the verb form is enough to determine person and number. You can see this in both of Jake’s sentences in panel 3 — creo is 1st-person singular, but the sentence does not need to say yo creo; same for pienso not needing yo pienso.

Then in panel 4, the third character’s line Pero no creo que trabaje could be But I don’t think it works [it = the potential joke], or But I don’t think he works [he = Jake]. Which is a fairly good joke, or anyway language-amusement. [My point about not requiring overt subject pronoun turns out not crucial here, since if this sentence did use a subject pronoun, él for he or it would still be indeterminate.] But in English we get But I don’t think it works, and no secondary dig at lazy Jake.

Bonus post: Back in the translation shop

Today’s Macanudo, twice:

“It was nice while it lasted.” Okay, I’ll buy the pairing. Both are sweetly regretful but have just a tiny bit of a sting, don’t you think?

But now, today’s Baldo, also twice:

Now at first this looks like something we’ve seen a few times with Baldo: A pun or language-dependent joke in the English version, and then a reduction to a univocal expression in the Spanish version with no attempt to preserve the polysemy needed for the pun.

But not this time!

The key is in hachacento, which does not register as a recognized or translatable Spanish word, at least by Google Translate. But looking at parts:

hatchet ==> hacha
accent ==> acento

So we do get both axe and accent! (But not sent ==> enviad{o/a}. But who cares at this point!)

P.S. Don’t forget to stop and smell the noises in panel 3.

Terribly sorry, I’m afraid I don’t speak English!

Think of this as a followup to our thread from last December about Searle’s Chinese Room problem. However, the cartoon there came from the Daily Nous site, where everything is supposed to be philosophy (or usually institutional news); this one graced the pages of GoComics.

How lucky that the randomly-generated sounds coming from Man2 actually constituted correct directions to the Post Office!

But how unlucky, as Man1 actually wanted to go to the metro!