Andréa noted these two rerun strips appearing on the same day last week. Not exactly the usual synchronicity, where two comics make the same joke or take up the same (unexpected) topic. Rather, one is making a direct reference to the other.
This Boondocks comes at the end of a week series in which Grandpa expects Huey to help out with household chores, specifically mowing the lawn, and Huey likens this to illegal child labor practices and even to slavery. Here he returns to the child labor idea, and brings in the example of American companies using exploitative practices, including child labor, in their overseas facilities or those of their suppliers. And what is his news source? Another comic strip!
Here is the week of Doonesbury on this theme, concluding with the one appearing in rerun on the same day as the Boondocks above.
This quiz from Wrong Hands is probably not meant to be hard – the answer key was printed rightside-up and not disguised. But even if meant mostly as a joke, we can get more fun from it, I think, by trying out our answers and seeing if there is anything to be found in the logic of it.
For a similar post in the past, we withheld the answer key and then posted it as a comment within the thread after enough answers had been posted. Here I think we can try the honor system: the answer key will be here, but obscured in a slider. You can leave it closed, then check after you comment; or skip commenting and just have a look after satisfying yourself that you know what it will be. (Slide up to see answers.)
This Eyebeam from Chak is a perplexing CIDU. And no relief coming from the GoComics comments.
Some “classical” composers in the later parts of the 20th Century (or we could say “new music”), did have some fun with putting scribbles and illustrations onto their scores, for performers to interpret under guidelines. I don’t know if Electronic Dance Music performers work from anything like a conventional score, but this might instead be a “transcription” score, with the artist capturing the song in notation as best they can. The cloudburst notes and shaky-lines eighths are nice touches, even if we’re not sure what they mean.
HOWEVER, none of that explains why the guru is surrounded by that music, or if the hiker/seeker is exposed to that type of music so much that he has to go climbing in the hope of getting away from it.