In the second strip, it looks like the artist combines black lines and gray watercolor (or watercolor-effect computer brush) for shapes, and with her head in shadow a lot of details go away. It’s actually a more subtle effect than I’d expect from the style otherwise. Not that it works well. I’d have erased some of the gray to create the leading line of her face in reflected flashlight glow.
At home with Mr. and Mrs. Headless Horsemen?
I don’t get the one with the lady’s spouse hiding under the bed.
Lord Flatulence (3): Of course not. It’s apparently from <i>New Yorker</i>.
I did rather like the 349 Commandments one.
I don’t get the one with the lady’s spouse hiding under the bed.
He has taken to hiding under the bed. Her comments indicate that this is perfectly understandable, but it is his turn to cook, so he will have to come out.
Though it could be true at any time, most likely this is a reference to the new American administration.
I figured that he was only hiding under the bed to avoid cooking.
In the second strip, it looks like the artist combines black lines and gray watercolor (or watercolor-effect computer brush) for shapes, and with her head in shadow a lot of details go away. It’s actually a more subtle effect than I’d expect from the style otherwise. Not that it works well. I’d have erased some of the gray to create the leading line of her face in reflected flashlight glow.
At home with Mr. and Mrs. Headless Horsemen?
I don’t get the one with the lady’s spouse hiding under the bed.
Lord Flatulence (3): Of course not. It’s apparently from <i>New Yorker</i>.
I did rather like the 349 Commandments one.
I don’t get the one with the lady’s spouse hiding under the bed.
He has taken to hiding under the bed. Her comments indicate that this is perfectly understandable, but it is his turn to cook, so he will have to come out.
Though it could be true at any time, most likely this is a reference to the new American administration.
I figured that he was only hiding under the bed to avoid cooking.