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Thanks to Boise Ed for sending this in! He says We have a dry desert and a guy and his dog, looking over the ridge at another guy who apparently reeks and is holding a magenta rectangle. I can see the reeking guy attracting the dog, but what’s with the magenta rectangle?
To slightly disagree, I don’t think the guy is supposed to be reeking. Those wavy lines are probably heat or visual distortion — appropriate if he’s in a mirage.
This is the “Semi-CIDU” marked for this post. It’s Cynthia’s friend who says “Lots of firsts that day” but mostly it was Cynthia herself experiencing those firsts.
BTW, what do you think of the drawing techniques used to show us the girls are their younger selves in the last two panels?
[This was a Friday strip. The Saturday strip that follows continues the flashback, and gives an explicit answer to the Semi-CIDU question we posed; so we’re withholding that one until people have had a chance to comment on this post, and then will put it in comments.]
Bonus Barney. This is the “CIDU only because of a cultural reference you may not already know” marked for this post.
If you’re familiar with the story of Boggs, do you think the summary in the fourth panel is seriously in need of some amplification/clarification?
Does he want to be enabled, and is expressing disappointment that she doesn’t provide that? Or do we understand enabling in its largely negative pop-psychology sense, and take it that he’s reassuring her she hasn’t contributed to his problem?
This sequence (two four-panel stories) doesn’t seem to address a more fundamental policy matter than the details of pepper supply. Are they not aware of this patron planning to eat that big sloppy deli sandwich at his desk in the Reading Room?
/
The next episode:
(Yes, I’m aware that the strikeout in the post title doesn’t seem to work in Cell or Tablet display preview. So maybe change it to something about “Burying the <strike>lede</strike> lead.”)